Following are the key differences between Mysore and Tanjore paintings.
Though, it should be noted that the current day Tanjore painting methodology is slightly different from the ancient methodology as already discussed in the previous posts
Tanjore Traditional Art
Mysore Traditional Art
Base is cloth mounted on wood.
Base is paper, mounted on canvas or wood.
For gesso effects, raw lime powder with a tamarind seed paste used.
White lead (safeda), and Makhi Gaboge(yellow) taken from Revana Chinni Halujuice is used; this has a golden tint.
Gesso is applied in high relief
Gesso is applied in low relief
Gold coated silver wafers are used
Pure gold wafers are used
The coating is less durable
The gesso work is much more long lasting
Numerous other ingredients like pearls, glass, and amber is used for embellishing
Traditional works are devoid of such colorful decor.
Most depict scenes from Hindu mythologies.
Dresses and ornaments reflect period fashions, with close affinity to the Mysore kings. Architecture, designs closely resemble art found in the palaces of Wodeyars and in old-Mysore homes.